Marta is a new single from native Virginian hip hop artist, MASS. It’s part of his freshly released project, Phase 1. Marta opens with an eerie musical backing, which sets us up to experience the tenebrous ambiance of the track. The song is surprisingly catchy, frequently repeating “Marta” and rhyming is with “harda” in a way that really sticks in the listener’s brain. When he says “I move like Marta,” it makes me wonder if the song is actually referencing the Atlanta bus and rail system, “MARTA.” The lyrics are also interesting in that they interweave high stakes action with everyday activities like “online shopping” and “calling an Uber.” The rapping here is engaging and the lyrical narrative is genuinely interesting to follow. The delivery style is chill and laid back, balanced with it’s casually serious undertones relating to the daily grind of life in the city.

Check out the new music video for “Marta”. It has a gritty, old school vibe that takes you back to the ‘90’s. It’s fun and uncompromising at the same time.

For more info:

Instagram: https://www.instagram.com/couslikefam/
Twitter: https://twitter.com/couslikefam
Youtube: https://www.youtube.com/channel/UCN4DPaDmObMKubc1sKhVKiw/feed

It was only back in January, when I reviewed Wav-Legion, an album from Wav-Dr and Bonnie Legion. The prolific musical duo is already back with new full length album, imaginatively titled, Wav-Legion II. When I say full length, I do mean full length, as this record includes 16 action packed tracks. Several songs on here also feature the talents of other artists like Miss eFeMBy, Robert P.Kreitz II and Metropolis Music.

The songs on Wav-Legion II blend a wide variety of genres, including pop, hip hop, electronic, rock’n’roll, singer-Songwriter, and soul. Despite the fact that some of these stylistic ingredients may not inherently go well together, the artists manage to make this concoction work. A big part of that alchemic success is in their technical ability and talent as musicians in general (which is apparent if you watch any of live their video performances.) These are trained professionals on a closed road. Don’t try this at home. The music varies widely from one track to the next. For example, Escape the Mundane is a retrofuturistic electronic track, which sounds like something they would play at the Love Shop in the film, Logan’s Run. Just a few songs later, Money Crime comes across as a soulful cross between synthwave and Fleetwood Mac.

My favorite track on the album is probably Fear of Flying, which is a pretty straightforward electronic rock song, catchy and memorable. Note that they also do a live acoustic version of this song (video is below,) which has more of an Americana vibe. A lot of artists who claim to be multi-instrumentalists or chameleons are full of crap, but Wav-Dr and Bonnie Legion are the real deal. They shapeshift in and out of different genres effortlessly and in a way that makes them credibly appear as experts in each one. Bonnie Legion’s singing is incredible. She probably could have even made it past the obnoxious judges on American Idol. It must be a joy to record with her as I bet she’s a one take wonder.

Anyway, this is obviously a very impressive album, a case of quantity and quality. There’s a lot of richness to the songs. None of the tracks feel like “padding” or throwaways. The “tone” of this album has a subtle, emotional darkness to it, creating just a hint of edge. Wav-Legion II closes with Stop Thinking (featuring Robert P. Kreitz,) a rather poignantly haunting song which (despite the title) will leave this album lingering in your thoughts well after you’re done listening.

For more info:

http://www.wav-legion.com/

A lot of musicians have had strange day jobs over the course of their lives, but Deane Nesbitt Jr is one of the first artists I’ve heard who once practiced law for over a decade and co-founded an investment management company. His latest single, Tracking the Soldier appears on the aptly titled EP, Soundtracks in the Sand. This is indeed soundtrack music. It’s multi-instrumental ambiance which has a classic feel. Tracking the Soldier is not boom box roaring, action sequence material. Rather this song is more mellow and contemplative. In fact, this particulr track would be ideal for meditation and wellness exercises. It’s very relaxing but also has the power to evoke emotion and pull thoughts out of you. Unlike many contemporary instrumental songs, this one doesn’t consist of “synth beats.” There are actual organic instrument sounds being used here. It’s just good old fashioned world music. The cover image of the beach really captures the mood, as my first thought while listening was that this reminds me of the music you’d hear in exotic desert and island related films of the 40s and 50s. Be sure to check out the rest of Deane’s EP, because the songs are all quite different and interesting.

For more info:

Website: http://nesbittmusic.com/
Spotify: https://open.spotify.com/artist/29SbLZ0JBBPOCZAHvRUAnT

Silly me! When I sat down to review Fever In the South, (a new EP from Dallas based artist, “TexMex Shaman,”) I naively assumed it was going to be a standard country or “roots americana” type album. Spoiler alert: It isn’t. What it is precisely, I’m not quite sure… other than that it’s very powerful stuff, the kind of music you can astral project to.

The lead single on th EP is Roll over Matryoshka, a 6-minute kaleidoscopic musical odyssey, with elements of synthwave, rock’n’roll, psychedelia, noise, disco, and maybe even a hint of twang somewhere in there. Despite this eclectic amalgamation, the song doesn’t sound like some sort of jumbled collage, because the track delineates these elements in various “phases” along the way. This leads one to suspect there’s some type of epic abstract journey or underlying narrative at play here. The artist also reveals a few clues in the description of the video:

boy chases girl
boy loses girl
boy fights off hell demons with disco power

If one were to visualize this song, that does seem like a plausible characterization of events, but I would also say that it’s open enough to interpretation to be whatever you want it to be. Just use your imagination and get into the zone. My favorite part of Roll over Matryoshka is when the disco kicks in, partially because I love disco (and this disco segment is particularly good) but also because this is the point in the song where you realize there is actually something grander or cohesive at work here. It’s the point where I made up my mind that this track was a splendid little work of abstract art. I can’t help but think that this song must have taken a lot of work. There are lots of instrumental hooks, beats, guitar riffs and imaginative transitions, which have been meticulously put together in a coherent way. There’s nothing shoddy or amateurish about this mix. TexMex Shaman plays all the guitar and bass stuff himself and does so quite well. His tone and style reminds me of late 60’s early 70’s bands like The Pretty Things and Jefferson Airplane, basically post mod era but before classic rock. It’s just very groovin.’

The rest of the EP is a worthwhile listen as well, as each of the other songs stand on their own with distinct identities. One particularly entertaining track is Peking Bass, the sound of which could best be described as C+C Music Factory on acid. There’s also a nifty, mini outro titled You look kinda like my neighbor Gordon (lol,) which sounds like it was made from 1950’s spaceship sound effects like those you’d hear in movies like The Forbidden Planet or old Twilight Zone episodes.

This guy clearly doesn’t give a crap about musical conformity or industry standards. That’s a good thing, because 99% of what is played on the radio today is garbage and isn’t interesting at all. TexMex Shaman’s Fever In the South is on another level and will attract the audiences who dwell on those wavelengths which can’t be purchase with mere money (you should still buy the album though.)

For more info:

https://soundcloud.com/texmex-shaman/sets/songs

How many layers of remixing are you on? The question comes to mind with Runner, a new jam from California based sound artist and producer, Peripheral Method. Runner is described as a “new version of a remix of The Chainsmokers’ Don’t Let Me Down,” by Peripheral Method, a California-based sound artist and producer. It ultimately does’t matter many musical derivatives are sliced and stacked into this collage, because the end result is something beautiful. This avant garde track is thick with ethereal ambiance. It retains a meditative quality while also boasting enough peppy synth activity for one to dance to. This is artful EDM for the thinking man (or woman,) falling somewhere in between indie folk and dreampop. The song flows continuously for the 6 minute duration, like a mini-wave on a desolate beach. In true collage form, the sounds all feel like they are part of each other. With heavy usage of echo/delay, nothing is separated here in the mix. Everything feels like one long dreamy motion. Peripheral Method strikes me as an abstract perfectionist. This version of Runner is a keeper.

For more info:

I Don’t Need’em is a new single from Chicago raised and Los Angeles based artist, “Im Just Dane.” The song is a fast paced conglomeration of emotion and style. It’s contemporary, high energy R&B with hints of classic hip hop. A party jam that remains lively throughout, the track features carefree lyrics guaranteed to loosen the mood. Dane’s delivery is charismatic and upbeat, never boring. Far from being monotonous, his tone is dynamic, and he demonstrates some versatility as a vocalist, not afraid to change it up or experiment with his voice. Dane’s humble presentation of himself as an artist is refreshing, but don’t let that fool you. I Don’t Need’em (Clean Master) shows that he conceals his power level, knows how to liven up a dance floor, and is secretly ready to bust a move at all times.

For more info:

Instagram: https://www.instagram.com/imjustdane/
Official Website: https://www.imjustdane.com/
Youtube: https://www.youtube.com/channel/UCI2tYkn49tVi-zyt2865d7g

https://soundcloud.com/imjustdane/i-dont-needem-clean-master