A Cave in the Inside is the latest album from Present Paradox, an artist located in Dortmund, Germany. This music could best be described as avant garde pop or maybe ambient pop. The songs have a warm analog quality to them, featuring some subtle noise and hiss that enhance the recording and contribute to the overall ambiance. I could tell right away with the psychedelic intro to the first track, Nightwalk, that this album was going to be right up my alley, and the rest of the song did not disappoint. In fact, the song builds into something even better as it goes on, adding drums and vocals into to the mix. Lots of times this kind of music can be ruined by out of place or obnoxious vocals, but in this case the vocals had just the right tone and effects. The singer has the right voice, without any annoying quirks or attitude. The artist took the song exactly where I expected (and wanted it to go,) right smack dab into a psychedelic, kaleidoscopic dreamland.
The album has a very 60’s feel to it, with theatrically titled songs like Magical Twist and Masquerade, which musically could be compared to bands like The Pretty Things. I suppose younger people might relate it to a more contemporary sound like early Radiohead or even Muse, but I’m not a huge fan of those bands, and in my opinion these songs are better and have a more authentic artistic feel. The title track, A Cave In the Inside definitely gives off a contemporary, European flavored indie pop vibe. I very much enjoyed this album, and I highly recommend it.
Originally from Pittsburgh, and having walked away from a career in engineering, Matt Westin would have seemed to be an rather unlikely prospect for country music artist. Yet here he is. Admittedly I was expecting something rather cliche when I came upon his new single Our Redneck of the Woods, (from his debut album, Legacy) but while it does contain some familiar country music tropes about what rednecks like, the song and lyrics are much more detailed and actually pretty epic. With choice lines like “If a politician came out here right now, we might hook his ass up to a plow,” this track has potential to be a hit. It is just one of those songs where you listen and could imagine it being played everywhere, due to the catchy zingers. Musically speaking, the guitar work here is very good, as it is on most country albums, with lots of delightful twang and note bending. Westin is a capable singer, his relatively deep and authoritative voice matching the confident tone of the song. This is a worthwhile country song with highly entertaining lyrics.
Wilmington, Delaware based gospel and R&B singer Dan Kenneth’s latest song, From the Heart is aptly titled work of passion. Kenneth really does sing as if he means it, and you can feel the emotion in every note. With the vocals out front up against a minimalistic piano backing, he doesn’t hide anything in this mix. He lays it all out there for you. Like most gospel singers, this guy has a great voice and uses it to its maximum potential. What’s really refreshing about this release though is that there are no gimmicks, no fake attitude and no posturing. From the Heart has a genuine quality about it that’s missing in so much of today’s music.
Skeletons is a new single from Ezla, (an artist originally from Texas but now based in Nashville.) Ezla describes her music as “hypnotic pop,” and Skeletons absolutely lives up to this characterization. I would add that the both the song and video have a certain lounge music quality. In fact, Ezla’s style comes across as that of a 21st century, indie lounge singer. Her music is assertive and delivered with the sass of a strong female personality, yet always with a smile. The atmosphere is dark and brooding, like an out of the way night club you visit when you’re up to no good. Her voice is naturally sensual, and easy on the ears. It would in fact be very easy to be hypnotized by this music.
At first glance, you might think contemporary singer/songwriter Ashley J is just another pretty pop music performer, but she actually earned a BA degree in Business Law. She really can sing, too. Her latest single, “Satisfied” is a kind of elegant pop song, featuring a light and cerebral backing track. It has an avant garde quality, aided by her celestial voice and Aphrodite-like command of the heavens. This song has more in common with Björk than with Jessica Simpson or Britney Spears, and that is a good thing. Ashley J exhibits some real potential here.
Motivation is the product of former pro basketball player Ugonna Onyekwe, who is now “releasing music with his sister under the name SYBS.” It’s a high quality R&B/pop song, with elements of hip hop as well. The video features Coss Marte, a former inmate who developed a prison style workout, which he now performs in an NYC gym and livestreams the sessions. Reese Scott also appears in the video. She was a Creative Director for a publishing company to start Women’s World of Boxing ten years ago, in order “to offer women a safe, comfortable and uplifting environment.”
As you can tell, the song Motivation deals with individuals struggling with doubts or a troubled past, who seek and eventually find motivation to improve their life and pursue their dreams. The track transitions effortlessly between several cultural styles of music. If you just skipped to a random part of it, you might think it’s a completely different musical genre. The transitions are done extremely well. The female vocalist is particularly impressive, absolutely nailing her vocal parts and elevating the song to another level. All in all, this is a very cohesive release, and the video is shot professionally. I feel like this song could actually motivate people.
Jarel Portman’s new track, Runaway Blues (from the album, Supersonic) is an awesome rock/blues song which has a psychedelic quality to it, particularly the backing instrumentals. The guitars have a late 60s-early 70s kind of tone, reminiscent of bands like The Pretty Things. Seriously, the vibrato on this jam is killer. The song features some solid vocals also, especially considering this kind of music is difficult to sing well. Performed with passion and impeccable timing, Runaway Blues comes off like the work of veteran musical pros. Expect to hear more stuff from this guy.
Fiesta is a new single from Canadian bass/house duo, Diemetic. It’s an upbeat, party jam that mixes elements of hip hop and dance. It kind of reminds me of a lot of those old 90’s dance mix cds like Club Mix 96. The music is just very fun and lively. It actually gives you energy and puts out a very positive and carefree vibe that’s lacking in so much of today’s artistry. The production on this track is impressive, pretty much major label quality. The song also isn’t overly repetitive. It’s fairly dynamic, with a lot frequent changes throughout the track to keep things fresh and keep the action going.
Roadtrip is a new single from award winning country singer, TJ Leonard. He’s Swedish, but I swear you’d never guess that from hearing this song, as it sounds as authentically American country as you can get. Roadtrip chronicles in detail a trip throughout the southeastern United States, and I do mean in detail, with play by play lyrics like We bought a gift for my mother in law at a place called Quilt Connection.
The production on this track is excellent, and Leonard is a real pro performer. His voice is easy on the ears and his overall vocal presence carries the song well. Roadtrip is a solid single by an artist with major label potential.