Dark, fast, and retro-futuristic is how I would describe Untitled Art’s new single, “Philly to Long Branch (Part 2.)” It has elements of synth, psychedelia, punk, and new wave and is just oozing with aesthetic. Listening to this jam makes you feel like you’re in a club scene of an 80′s vampire movie, and who wouldn’t want to be there? One thing I hate about most contemporary dance music and the “EDM scene” is just how nauseatingly happy and uplifting it pretends to be all the time. It’s here where Untitled Art really find its niche in the underbelly of the Miami, Florida music landscape , feeding a healthy range of emotions back into dance music. There’s hate, sadness, love, regret, bitterness… a whole kaleidoscope of sensations out there to experience.
Untitled Art achieves an authentic avant garde sound without coming across as tryhard. If I were DJing a night somewhere I would play this track. The part of the song which gets me fired up is the line “I watch the sun go down. I watch the sun.” That’s where it really feels like it hits home, and you get that feeling where it’s like “Oh yeah this song is legit.” I’m really impressed by this recording, the material these guys are putting out and how they’re presenting it.
KAIYA, an electronic-indie-pop artist based in NYC, originally was born in the Ukraine and grew up in the European fashion world. Recently, in a collaboration effort with Brooklyn-based songwriter/producer ÅMBE, she released “GAMES,” a debut single. I especially liked the intro which had the feel of a crowd cheering at a sports event. Then the song kicks in and it’s a beautifully playful electronic tune. The backing track almost has a kind of early 90′s, carefree summertime vibe. If I had to describe this music in colors it would be pastels. KAIYA’s vocal presence is just right for this style of music. Really this is a beautiful song, and it really does relax you.
Samantha Rochford’s “So Easy” represents one of those rare opportunities where I get to review something I would actually listen to. One thing that caught me immediately was the style of the video, which refreshingly brings back the sort of playful and innocent aesthetic one would see in indie music back around 2004-2005 (think of the intro song and opening credits of the film Napoleon Dynamite, if you’re wondering what I mean.) The guitar work is excellent and Sammanages to achieve a beautifully bright and sweet tone. She’s a terrific singer as well, much better than one would need to be for this particular genre. Early in the song, there’s a point when she delivers the line “it’s a workout, but it’s never been so easy.” The musical hook at that moment of the track is where it really kicks in that you’re listening to an exceptional song. Suffice to say that I very much enjoyed this girl’s music, and hope that she makes a lot more of it.
Kozie’s new jam “Fly” manages to transcend genre classification. It has elements of EDM, light hip hop, pop and even alternative. I’m especially impressed with the beat, which has a bouncy superball on a summer day kind of vibe. The track is appropriately titled as the upbeat yet lighthearted energy of the song will put an extra spring in your step. The song’s groovy techno-psychedelic backing could actually make it as its own instrumental dance number. Despite the positivity, the lyrics deal with regret, lost time and reluctantly making the unselfish choice to let someone you love fly away, when you know you’re “wings are tied.” I wasn’t sure if I was going to like this music at first, but I was won over. “Fly” is very catchy, and Kozie’s willingness to tap into the vulnerable side of his emotions and explore themes of despair and humility, makes this song approachable and refreshing.