Dinah Might is a new single from iconic band, Electric Peace. Fronted by infamous lead singer Brian Kild (who had some interesting run-ins with Kurt Cobain and Rick James back in the day) Electric Peace blends elements of its garage/punk/psychedelic roots with a mature and vibrant sound. This latest track features aquatic vibes and surf rock style instrumentals. Passionate vocals drive the action in this electrifying anthem. Kild’s voice runs on pure charisma. The song’s structure is dynamic and fluid, taking a lot of creative twists and turns. Dinah Might is packed with powerful psychic energy and offers up a genuinely groovy listening experience.
Metele is a new single from Buenos Aires-based artist, Solar. This is high octane dance music at its finest. Featuring a pulsating beat, the sound is exotic and intense. It has an almost mechanical, deep space quality. The mix itself is extremely smooth, staying within the most sonically pleasing frequencies. I guess you could describe this style as an eclectic blend of house variants. It’s futuristic and other worldly, while retaining the fundamentals of standard electronic tracks. This jam will light up a dance floor, but it’s also mind expanding and will activate the outer regions of your brain. Meditate to this song and astral project to the stars. Metele is a clean and professional release, with enough melodic charm and imagination to stand out artistically.
Something is a new single from Massachusetts-based acoustic pop artist, Jake Tuvek. This avant garde and sentimental track is mesmerizingly entrancing. Featuring lush reverb, colorful harmonies and a bright acoustic mix, this song emits feel good vibes for the duration of its compact runtime (just over 2 minutes.) The minimalist structure is thickened and enhanced by vocal layering. The concentrated presentation gives Something an intimate quality, allowing the listener to appreciate the track’s subtleties.
The tone is soulful and spiritual. While the pacing itself is mellow, the song offers up some emotionally climactic moments, where Jake Tuvek manages to hit some impressive high notes. This is one of those indie gems with broad appeal. It could work as a commercial pop hit or a coffee house classic or both.
Like You Do is a new single from Florida-based R&B/pop artist, Markeisha Ronae. The sound is in the same style as Whitney Houston, Brandy Norwood and Destinys Child (Markeisha also cites influences like Mali music, Jonathan McReynolds and Tank). Anyone can recognize it though. It’s just that deep and delightfully soulful R&B. Few vocalists have the skill or bravery required to sing this kind of music, but Markeisha’s voice is up to the challenge. Her performance is both powerful and delicately sentimental, brimming with thoughtful sensitivity.
From a technical standpoint she’s equally impressive, demonstrating the sort of exceptional vocal maneuvers that one just can’t fake. The backing music is fresh and vibrant. It’s melodic and colorful, but in a creative way that gives the track a distinct personality. Markeisha Ronae really has her own style, blending the timeless and contemporary. Like You Do is definitely a chart worthy song.
Pawns & Giants is a brand new album from hip hop artist, YoRel. This guy is an indie hip hop legend. He’s been in the game for decades and originally built up a following the old school DIY way, by marketing CDs and cassettes to people in person. While he now takes advantage of 21st century distribution channels, his music still has that organic and real feel to it. A factoid I remember about YoRel from reviewing one of his previous releases is that he is the nephew of co-pilot Leroy Homer (one of the heroes of Flight 93 on 9/11).
YoRel’s recent album, When Ink Turns To Blood was massive and contained 24(!) tracks. The release was probably most memorable for the iconic song Crossroads II (featuring Krayzie Bone and Justin Moore), as well as the soulful mini-hit, Gods & Devils (feat. Ekaterina & Arianna Celaeno). There was so much material I didn’t even get a chance to cover it all in the last article. Crackpot-Jukebox was another noteworthy song, with its exotic, almost medieval-style backing music, and theatrical dialogue. Many of YoRel’s songs have a conversational presentation. At times it’s like your listening to the soundtrack of a hip hop musical or stage production.
Pawns & Giants, YoRel’s newest album includes songs which he didn’t have space for on the last one. Don’t let that fool you though, these jams are every bit as good. He incorporates a lot of spoken word narration, creatively intertwined with robust hip hop. YoRel also offers up a lot of casual social commentary, making references to current events, often in subtle and humorous ways. He doesn’t beat you over the head with his message, but rather challenges you to think about what it is he’s getting at. His lyrical style is very cerebral, and even when he’s seems cynical, there’s always an inspirational theme swimming around in the undercurrents.
That being said, there are some real powerhouse tracks on here. Often times, YoRel draws you in with a cozy narration intro and then bam! The hard hitting action kicks in, and his delivery comes at you full throttle. He really makes excellent usage of sound effects and background ambiance. The song Black Opps for example, plays like a thrilling A-Team adventure. The title track Pawns & Giants lays down straight up real talk about how the world operates…taking no prisoners. Yorel also proves once again that he’s a master of retro pop culture (Steven Seagal references, etc), and some of his most clever similes and analogies may whiz right over listeners’ heads if those individuals are below a certain age. It won’t matter though, because these jams are wild.
This is top tier entertainment honestly, party central. My favorite song is probably Grandma’s Soup. It’s very well put together, and serves as a window to YoRel’s sentimental side. Overall, Pawns & Giants is an intelligent and thought provoking release. There’s a lot of good hip hop out there now, but this album is a reminder of just how advanced some of the more experienced hip hop pros are. This is big league stuff right here.
Done Believing is a new single from Atlanta-born artist, SnapDibz. The song blends elements of pop, hip hop and R&B to create a colorful and melodic sound, which is not surprising given that the artist’s influences range from Outkast to Garth Brooks. Despite the title, the track is musically upbeat and packed with passionate energy. SnapDibz gives a solid and sincere rap performance. He has a straightforward, concise and “matter of fact” delivery cadence.
This song is actually a duet, featuring a conversational style exchange between SnapDibz and an excellent female vocalist, with a narrative about a relationship gone awry. It’s a romantic and invigorating jam, which gives voice to the problems couples often face with communication. It has a very liberating feel. The beat has decent bass and the backing music really sparkles. I expect we’ll be seeing more releases from SnapDibz. There’s a lot of enthusiasm and initiative here.
Charmed to Death is a new album from artist, Stephen Jacques. A collaborative effort with multi-instrumentalist producer Alan Weatherhead (The Cardigans, Cracker, Sparklehorse), this release is colorful and vibrant. The songs are indeed charming and have a quirky, sentimental vibe. Backed by some of the most sonically pleasing guitar tones you’ll ever hear, Stephen Jacques’ vocals are reflective and down to Earth.
He has a knack for storytelling and the tracks all feature elaborate lyrical narratives. There’s a lot of material for the listener to engage with, and it is very compelling. Listening to this album is like going on a road trip. You really feel like you’re experiencing all these adventures and meeting the people discussed in the songs. It’s hard to categorize the general sound, but the best way I could describe it is that it reminds me a bit of R.E.M., but with more of an indie folk rock ambiance. There’s even a hint of Americana in there somewhere. It’s still early, but this is one of the best albums I’ve heard so far this year.
Sorry Wrong Person is a new single from Italian singer/songwriter, Matiltde G. Based in Singapore, this pop artist has an extensive musical background. In addition to being an accomplished vocalist (who began writing her own songs at age 13), she also can play the piano and guitar. Her voice on this latest track is phenomenal. She’s clearly a professional singer and knows what shes doing. Backed by a cutting edge synth beat that’s brimming with melodic intensity, Matiltde G’s vocal delivery is charismatic and delightfully sassy.
She brings a lot of personality to her performance and has a genuinely magnetic quality about her. Sorry Wrong Person is one of those songs that feels like an instant pop hit. It’s fresh and dynamic. From a songwriting perspective, it’s more advanced than most contemporary radio jams and just has all the ingredients of a catchy, successful song.
EXODUS is a new album from hip hop artist, Lit Rich. Featuring 10 robust tracks, this is an ambitious, full-length release. The backing music is ambient and ethereal, creating a dreamlike vibe that almost reminds me of EDM at certain points. Lit Rich’s vocals are the main driver of the songs though. His voice is dynamic and fluid, flowing smoothly throughout. He raps at an impressive speed, and has a unique, stream of consciousness style delivery that is ideally suited for these synth-driven beats. The songs range from sentimental to meditative, with a few booming party jams like Summertime High mixed in. There’s definitely plenty of talent, versatility potential here.
Skyline is a recent album from singer/songwriter, Richard Schroder. Blending elements of country, pop and rock, the songs on this EP have a bright, upbeat and energetic vibe. Musically, the sound is highly advanced, with excellent production and listeners will marvel almost immediately at the technical complexity of the songwriting. Everything is very well put together.
Richard Schroder sings with passionate combining romantic and sentimental themes with a lively and optimistic vocal style. He sings about everyday subjects and emotions, “stuff he knows.” The hooks are what really make these songs though. The choruses are set up just right so that when they kick in, you can really feel the potential for these jams to be hits. They’re just very catchy. This genre is probably one of the most competitive and difficult to find success in as a musician. There are just so many talented artists, yet Richard Schroder is clearly at the top of his game.