DJ Ice Creme’s new electronic music jam Cotton Candy really hits the spot. No, but seriously this is awesome. In the 90′s people used the term “candy raver” (or “kandi raver”) to describe a certain type of raver who wore kids’ backpacks, bright multi-colored bracelets and just gave off the vibe of friendship and childhood innocence. Now, I won’t say that Ice Creme’s music is any kind of direct throwback to that culture, but Cotton Candy definitely has a retro feel to it and abstractly recaptures much of the aesthetic from the early 90′s. Vocal effects and sample wise, it actually reminded me of early techno cassette tapes I owned in 1993 (if you were to replace the standard old school techno beat with something…well like this.) The best way to describe the unique sound of Cotton Candy is that it’s like someone mixed circus music, sounds of people being at the circus, and EDM. It is all very artfully done, and the end result is one of the coolest pieces of dance music I’ve ever heard.
Natalie Lucassian’s new EP, 12:26 is light years ahead of most indie albums in terms of quality and artistry. Natalie’s sound has been described as “Amy Winehouse reincarnated as Adele’s indie rock little sister.” However, I don’t think that characterization does her enough justice. Her music seems refreshingly original. In fact, I like it more than the music of either of those other two artists. Natalie has a natural voice for emotive indie rock but is a more talented singer than most indie artists, whom tend to substitute authenticity for technical ability. Natalie Lucassian represents the best of both worlds.
Restless is a brooding track with psychedelic undertones and a light beat that’s slow enough to chill out to but peppy enough that you could dance to if you felt like it. 12:26 is a tad more upbeat and rocking. It’s my favorite song on the album and stylistically reminds me a bit of the music of a band called Magic Wands.
All in all, this EP punches above its weight class, and I can’t think of anything negative to say about it. 12:26 is awesomely haunting.
Having done thousands of music reviews over the years, I have discovered a lot of interesting or good music, but not too much of it stands out. I have to say though that country artist Ranzel X Kendrick’s new album, Texas Sagebrush is exceptional. The first track Any Ole’ Song, should leave no doubt to the listener that this guy’s music is right up there with the country legends. This shouldn’t be surprising given that he apparently is the nephew of Grammy award winner, Roger Miller.
Kendrick describes his sound as Texas Roots / Americana, and he has become a pretty much a master of it, so far as I can tell. His style features mellow but articulate acoustic guitar, in a fairly minimalist context, along with sincere and quietly contemplative vocals.
Ambiance wise, the songs on this album would not have seemed out of place on the classic soundtracks of films like “Every Which Way But Loose” (which featured hits from Eddie Rabbitt and Mel Tillis.) They are just very professional and have the feel of someone that has been around the block a few times. Texas Sagebrush is very authentic and evokes memories of the last era of pre-popcommercialization of the country sound. This isn’t to say that the music itself is dated though. What a Pretty Day retains the artful authenticity while demonstrating appeal to mainstream contemporary audiences. Rebecca White’s stellar vocals combine the best of indie folk and country elements. At times on this album I even found myself questioning whether what I was listening to was a Greenwich Village coffee house folk tune or a country western song.
Just about anyone who hears this music will instantly recognize it as being in the top-tier of its genre.
For more info: