Army Navy, one the finest bands to come out of Los Angeles in probably the last 10 years, has put out a new video, directed by veteran young writer/director Mark Schoenecker and featuring Martin Starr(Freaks and Geeks.) The well respected group has enjoyed steadily increasing popularity since they burst onto the scene several years ago. Their latest video, for the song titled “World’s End,” is a refreshingly unassuming masterpiece. In this era of illiterate Ke$ha softcore, and perplexingly popular yet total cheeseball songs like “I Wanna Be A Billionaire,” director Schoenecker refreshingly manages to capture the golden age of Sunset Strip innocence and combine it with 21st century, contemporary appeal. Stylistically, “World’s End” is seemingly modeled after the old music variety shows like Shindig, which once dominated television airwaves and introduced many famous musical acts. Yet, this is not really a “retro” video. Rather it represents a return to lost fundamental standards of taste, and attention to long abandoned qualities like color usage, ambiance, and subtlety. In other words, it is the future we now live in, the way we’ve always hoped it would be.
The plane landed rather hard and kind of awkwardly swerved a few times on the runway. The pilot even joked about it over the loudspeaker “And after that crash landing… welcome to L.A!”
I caught a cab to Mark Schoenecker’s place on Sunset and LaCienega. It’s hard to believe he’s lived there 10 years, but swoosh! Just like that, there they went. I hopped the fence, and the first thing I noticed was that it’s not as sturdy as it used to be. The thing is held together by like twist ties now, and feels as though it could collapse at any moment while you’re climbing it. Old habits be damned, I’ve decided to use the gate code from now on.
When I got into his apartment, Mark wasn’t home… naturally. I attempted to play a 45 record, “Turn Down Day” by The Cyrkle. It played the song at a slightly slower speed, and then the record player died. Apparently the motor is bad but every three months or so you can turn it on, and it will manage to play half of a song. I had dinner at Poquito Mas(studio plate) and wandered around Sunset for a bit. Drank a tall can of Pabst blue ribbon and fell asleep in the mustard yellow living room chair, until Mark got home and woke me up.
Saturday was the party at VJA’s house in Malibu that I flew in for. I got to see some people I hadn’t seen in a long time. I met some new people I’m not likely to see for quite a while and wish I could see more of. Sitting on the deck, overlooking the beach I thought to myself “There are worse ways to spend a Saturday afternoon.” I love old friends. I never forget them, and the ones who never forget me are the ones I love the most.
Sunday, after riding around in their Volvo listening to “Sounds of the 70’s,” (whoa-ho it’s magic…you knowwww”) I had lunch at the Beverly Center with Greg and Mark. We talked about that rapper dude “Dolla” that got shot there, and Schoenecker floated some of his own theories about the unresolved death. We walked around Melrose for bit, went into some stores but didn’t buy anything. Sunday evening we were lucky enough to have dinner with Alex Berg at Cafe Med. She discussed her dating misadventures, and we listened attentively and occasionally chimed in with some bad advice or the sort of useless insight you’d expect out of the type of guy she’s probably never been involved with. She wanted us to go with her to The Darkroom, but Mark absolutely would not go. I really did actually want to go, but it just didn’t materialize.
Monday I met up with Kathy and we walked for a long time and then had brunch somewhere on Melrose before she drove me to the airport. I tried to wake Mark up to say goodbye, but he didn’t awaken. So I left him a note on his fridge that said something like “Thanks Mark! Be sure and go down on someone on my behalf love, b.a.” Knowing him that note will probably fossilize itself there for several years.
Brandon Adamson is the author of “Beatnik Fascism“